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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Territory of the Hoysalas and their neighbouring kingdoms in Western India, the Seuna Yadavas and Silharas in c. 1200[image reference needed] Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311. Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monastic Vaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
    Territory of the Hoysalas and their neighbouring kingdoms in Western India, the Seuna Yadavas and Silharas in c. 1200[image reference needed]

    Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.

    Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monastic Vaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
  • Image 2 Satellite image of the tropical storm on May 13 The 2003 Sri Lanka cyclone was a moderately powerful tropical cyclone that produced the worst flooding in Sri Lanka in 56 years. The first storm of the 2003 North Indian Ocean cyclone season, it developed over the Bay of Bengal on May 10. Favorable environmental conditions allowed the system to intensify steadily while moving northwestward. The storm reached peak maximum sustained winds of 140 km/h (85 mph) on May 13, making it a very severe cyclonic storm according to the India Meteorological Department (IMD), which is the official Regional Specialized Meteorological Center for the basin. The cyclone drifted north over the central Bay of Bengal, gradually weakening due to heightened wind shear. Turning eastward, the storm deteriorated to a deep depression on May 16 before it curved northeastward and re-intensified into a cyclonic storm. It came ashore in western Myanmar and dissipated over land the following day. In the wake of prolonged precipitation during the first half of May, the cyclone produced torrential rains across southwest Sri Lanka while stationary in the central Bay of Bengal. The storm drew extensive moisture that coalesced in the mountainous portion of the island. A station at Ratnapura recorded 366.1 mm (14.41 in) of rainfall in 18 hours on May 17, including 99.8 mm (3.93 in) in one hour. In southwestern Sri Lanka, the rainfall caused flooding and landslides that destroyed 24,750 homes and damaged 32,426 others, displacing about 800,000 people. Overall damage totaled about $135 million (2003 USD), and there were 260 deaths. The cyclone also produced some rainfall in the Andaman and Nicobar Islands of India and along the country's eastern coast. The storm funneled moisture away from the mainland, which possibly contributed to a heat wave that killed 1,900 people, and dropped heavy rainfall in Myanmar. (Full article...)

    Satellite image of the tropical storm on May 13

    The 2003 Sri Lanka cyclone was a moderately powerful tropical cyclone that produced the worst flooding in Sri Lanka in 56 years. The first storm of the 2003 North Indian Ocean cyclone season, it developed over the Bay of Bengal on May 10. Favorable environmental conditions allowed the system to intensify steadily while moving northwestward. The storm reached peak maximum sustained winds of 140 km/h (85 mph) on May 13, making it a very severe cyclonic storm according to the India Meteorological Department (IMD), which is the official Regional Specialized Meteorological Center for the basin. The cyclone drifted north over the central Bay of Bengal, gradually weakening due to heightened wind shear. Turning eastward, the storm deteriorated to a deep depression on May 16 before it curved northeastward and re-intensified into a cyclonic storm. It came ashore in western Myanmar and dissipated over land the following day.

    In the wake of prolonged precipitation during the first half of May, the cyclone produced torrential rains across southwest Sri Lanka while stationary in the central Bay of Bengal. The storm drew extensive moisture that coalesced in the mountainous portion of the island. A station at Ratnapura recorded 366.1 mm (14.41 in) of rainfall in 18 hours on May 17, including 99.8 mm (3.93 in) in one hour. In southwestern Sri Lanka, the rainfall caused flooding and landslides that destroyed 24,750 homes and damaged 32,426 others, displacing about 800,000 people. Overall damage totaled about $135 million (2003 USD), and there were 260 deaths. The cyclone also produced some rainfall in the Andaman and Nicobar Islands of India and along the country's eastern coast. The storm funneled moisture away from the mainland, which possibly contributed to a heat wave that killed 1,900 people, and dropped heavy rainfall in Myanmar. (Full article...)
  • Image 3 The political history of medieval Karnataka spans the 4th to the 16th centuries in Karnataka region of India. The medieval era spans several periods of time from the earliest native kingdoms and imperialism; the successful domination of the Gangetic plains in northern India and rivalry with the empires of Tamilakam over the Vengi region; and the domination of the southern Deccan and consolidation against Muslim invasion. The origins of the rise of the Karnataka region as an independent power date back to the fourth-century birth of the Kadamba Dynasty of Banavasi which was the earliest of the native rulers to conduct administration in the native language of Kannada in addition to the official Sanskrit. In the southern regions of Karnataka, the Western Gangas of Talakad were contemporaries of the Kadambas. The Kadambas and Gangas were followed by the imperial dynasties of the Badami Chalukya Empire, the Rashtrakuta Empire, the Western Chalukya Empire, the Hoysala Empire and the Vijayanagara Empire, all patronising the ancient Indic religions while showing tolerance to the new cultures arriving from the west of the subcontinent. The Muslim invasion of the Deccan resulted in the breaking away of the feudatory Sultanates in the 14th century. The rule of the Bahamani Sultanate of Bidar and the Bijapur Sultanate from the northern Deccan region caused a mingling of the ancient Hindu traditions with the nascent Islamic culture in the region. The hereditary ruling families and clans ably served the large empires and upheld the local culture and traditions. The fall of the Vijayanagara Empire in 1565 brought about a slow disintegration of Kannada-speaking regions into minor kingdoms that struggled to maintain autonomy in an age dominated by foreigners until unification and independence in 1947. (Full article...)
    The political history of medieval Karnataka spans the 4th to the 16th centuries in Karnataka region of India. The medieval era spans several periods of time from the earliest native kingdoms and imperialism; the successful domination of the Gangetic plains in northern India and rivalry with the empires of Tamilakam over the Vengi region; and the domination of the southern Deccan and consolidation against Muslim invasion. The origins of the rise of the Karnataka region as an independent power date back to the fourth-century birth of the Kadamba Dynasty of Banavasi which was the earliest of the native rulers to conduct administration in the native language of Kannada in addition to the official Sanskrit.

    In the southern regions of Karnataka, the Western Gangas of Talakad were contemporaries of the Kadambas. The Kadambas and Gangas were followed by the imperial dynasties of the Badami Chalukya Empire, the Rashtrakuta Empire, the Western Chalukya Empire, the Hoysala Empire and the Vijayanagara Empire, all patronising the ancient Indic religions while showing tolerance to the new cultures arriving from the west of the subcontinent. The Muslim invasion of the Deccan resulted in the breaking away of the feudatory Sultanates in the 14th century. The rule of the Bahamani Sultanate of Bidar and the Bijapur Sultanate from the northern Deccan region caused a mingling of the ancient Hindu traditions with the nascent Islamic culture in the region. The hereditary ruling families and clans ably served the large empires and upheld the local culture and traditions. The fall of the Vijayanagara Empire in 1565 brought about a slow disintegration of Kannada-speaking regions into minor kingdoms that struggled to maintain autonomy in an age dominated by foreigners until unification and independence in 1947. (Full article...)
  • Image 4 Durrell in Askania Nova, 1985 Gerald Malcolm Durrell OBE (7 January 1925 – 30 January 1995) was a British naturalist, writer, zookeeper, conservationist, and television presenter. He was born in Jamshedpur in British India, and moved to England when his father died in 1928. In 1935 the family moved to Corfu, and stayed there for four years, before the outbreak of World War II forced them to return to the UK. In 1946 he received an inheritance from his father's will that he used to fund animal-collecting trips to the British Cameroons and British Guiana. He married Jacquie Rasen in 1951; they had very little money, and she persuaded him to write an account of his first trip to the Cameroons. The result, titled The Overloaded Ark, sold well, and he began writing accounts of his other trips. An expedition to Argentina and Paraguay followed in 1953, and three years later he published My Family and Other Animals, which became a bestseller. In the late 1950s Durrell decided to found his own zoo. He finally found a suitable site on the island of Jersey, and leased the property in late 1959. He envisaged the Jersey Zoo as an institution for the study of animals and for captive breeding, rather than a showcase for the public. In 1963 control of the zoo was turned over to the Jersey Wildlife Preservation Trust. The zoo repeatedly came close to bankruptcy over the next few years, and Durrell raised money for it by his writing and by fundraising appeals. To guarantee the zoo's future, Durrell launched a successful appeal in 1970 for funds to purchase the property. (Full article...)

    Durrell in Askania Nova, 1985

    Gerald Malcolm Durrell OBE (7 January 1925 – 30 January 1995) was a British naturalist, writer, zookeeper, conservationist, and television presenter. He was born in Jamshedpur in British India, and moved to England when his father died in 1928. In 1935 the family moved to Corfu, and stayed there for four years, before the outbreak of World War II forced them to return to the UK. In 1946 he received an inheritance from his father's will that he used to fund animal-collecting trips to the British Cameroons and British Guiana. He married Jacquie Rasen in 1951; they had very little money, and she persuaded him to write an account of his first trip to the Cameroons. The result, titled The Overloaded Ark, sold well, and he began writing accounts of his other trips. An expedition to Argentina and Paraguay followed in 1953, and three years later he published My Family and Other Animals, which became a bestseller.

    In the late 1950s Durrell decided to found his own zoo. He finally found a suitable site on the island of Jersey, and leased the property in late 1959. He envisaged the Jersey Zoo as an institution for the study of animals and for captive breeding, rather than a showcase for the public. In 1963 control of the zoo was turned over to the Jersey Wildlife Preservation Trust. The zoo repeatedly came close to bankruptcy over the next few years, and Durrell raised money for it by his writing and by fundraising appeals. To guarantee the zoo's future, Durrell launched a successful appeal in 1970 for funds to purchase the property. (Full article...)
  • Image 5 Kapadia in 2018 Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses. While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)

    Kapadia in 2018

    Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses.

    While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)
  • Image 6 Procession march held on 21 February 1952 in Dhaka The Bengali language movement was a political movement in East Bengal (modern-day Bangladesh) in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali alphabet / Bengali script. When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)

    Procession march held on 21 February 1952 in Dhaka

    The Bengali language movement was a political movement in East Bengal (modern-day Bangladesh) in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali alphabet / Bengali script.

    When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)
  • Image 7 Darjeeling (/dɑːrˈdʒiːlɪŋ/, Nepali: [ˈdard͡ziliŋ], Bengali: [ˈdarˌdʒiliŋ]) is a city in the northernmost region of the Indian state of West Bengal. Located in the Eastern Himalayas, it has an average elevation of 2,045 metres (6,709 ft). To the west of Darjeeling lies the easternmost province of Nepal, to the east the Kingdom of Bhutan, to the north the Indian state of Sikkim, and farther north the Tibet Autonomous Region region of China. Bangladesh lies to the south and southeast, and most of the state of West Bengal lies to the south and southwest, connected to the Darjeeling region by a narrow tract. Kangchenjunga, the world's third-highest mountain, rises to the north and is prominently visible on clear days. In the early 19th century, during East India Company rule in India, Darjeeling was identified as a potential summer retreat for British officials, soldiers and their families. The narrow mountain ridge was leased from the Kingdom of Sikkim, and eventually annexed to British India. Experimentation with growing tea on the slopes below Darjeeling was highly successful. Thousands of labourers were recruited chiefly from Nepal to clear the forests, build European-style cottages and work in the tea plantations. The widespread deforestation displaced the indigenous peoples. Residential schools were established in and around Darjeeling for the education of children of the domiciled British in India. By the late-19th century, a novel narrow-gauge mountain railway, the Darjeeling Himalayan Railway, was bringing summer residents into the town and carrying a freight of tea out for export to the world. After India's independence in 1947, as the British left Darjeeling, its cottages were purchased by wealthy Indians from the plains and its tea plantations by out-of-town Indian business owners and conglomerates. (Full article...)

    Darjeeling (/dɑːrˈdʒiːlɪŋ/, Nepali: [ˈdard͡ziliŋ], Bengali: [ˈdarˌdʒiliŋ]) is a city in the northernmost region of the Indian state of West Bengal. Located in the Eastern Himalayas, it has an average elevation of 2,045 metres (6,709 ft). To the west of Darjeeling lies the easternmost province of Nepal, to the east the Kingdom of Bhutan, to the north the Indian state of Sikkim, and farther north the Tibet Autonomous Region region of China. Bangladesh lies to the south and southeast, and most of the state of West Bengal lies to the south and southwest, connected to the Darjeeling region by a narrow tract. Kangchenjunga, the world's third-highest mountain, rises to the north and is prominently visible on clear days.

    In the early 19th century, during East India Company rule in India, Darjeeling was identified as a potential summer retreat for British officials, soldiers and their families. The narrow mountain ridge was leased from the Kingdom of Sikkim, and eventually annexed to British India. Experimentation with growing tea on the slopes below Darjeeling was highly successful. Thousands of labourers were recruited chiefly from Nepal to clear the forests, build European-style cottages and work in the tea plantations. The widespread deforestation displaced the indigenous peoples. Residential schools were established in and around Darjeeling for the education of children of the domiciled British in India. By the late-19th century, a novel narrow-gauge mountain railway, the Darjeeling Himalayan Railway, was bringing summer residents into the town and carrying a freight of tea out for export to the world. After India's independence in 1947, as the British left Darjeeling, its cottages were purchased by wealthy Indians from the plains and its tea plantations by out-of-town Indian business owners and conglomerates. (Full article...)
  • Image 8 Basohli miniature, c. 1730. National Museum, New Delhi Ganesha (/gəɳeɕᵊ/, Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka, Pillaiyar, and Lambodara, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)

    Basohli miniature, c. 1730. National Museum, New Delhi

    Ganesha (/gəɳeɕᵊ/, Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka, Pillaiyar, and Lambodara, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India.

    Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)
  • Image 9 Profile of a Hoysala temple at Somanathapura Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura. These three temples were accorded UNESCO world heritage site status in 2023. Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli. Study of the Hoysala architectural style has revealed a negligible North Indian influence while the impact of Southern Indian style is more distinct. Temples built prior to Hoysala independence in the mid-12th century reflect significant Western Chalukya influences, while later temples retain some features salient to Western Chalukya architecture but have additional inventive decoration and ornamentation, features unique to Hoysala artisans. Some three hundred temples are known to survive in present-day Karnataka state and many more are mentioned in inscriptions, though only about seventy have been documented. The greatest concentration of these are in the Malnad (hill) districts, the native home of the Hoysala kings. (Full article...)
    Profile of a Hoysala temple at Somanathapura

    Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura. These three temples were accorded UNESCO world heritage site status in 2023. Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli. Study of the Hoysala architectural style has revealed a negligible North Indian influence while the impact of Southern Indian style is more distinct.

    Temples built prior to Hoysala independence in the mid-12th century reflect significant Western Chalukya influences, while later temples retain some features salient to Western Chalukya architecture but have additional inventive decoration and ornamentation, features unique to Hoysala artisans. Some three hundred temples are known to survive in present-day Karnataka state and many more are mentioned in inscriptions, though only about seventy have been documented. The greatest concentration of these are in the Malnad (hill) districts, the native home of the Hoysala kings. (Full article...)
  • Image 10 Dilwale Dulhania Le Jayenge (transl. The Brave-Hearted Will Take the Bride), also known by the initialism DDLJ, is a 1995 Indian Hindi-language musical romance film written and directed by Aditya Chopra in his directorial debut and produced by his father Yash Chopra. Released on 20 October 1995, the film stars Shah Rukh Khan and Kajol as Raj and Simran, two young non-resident Indians, who fall in love during a vacation through Europe with their friends. Raj tries to win over Simran's family so the couple can marry, but Simran's father has long since promised her hand to his friend's son. The film was shot in India, London, and Switzerland, from September 1994 to August 1995. With an estimated total gross of ₹102.5 crore (today's adjusted gross ₹524 crore), with ₹89 crore (today's adjusted gross ₹455 crore) earned in India and ₹13.50 crore (today's adjusted gross ₹69 crore) in overseas, the film was the highest-grossing Indian film of 1995 and one of the most successful Indian films in history. When adjusted for inflation, it is the second highest-grossing Indian film of the 1990s, behind Hum Aapke Hain Koun..! It won 10 Filmfare Awards—the most for a single film at that time—and the National Film Award for Best Popular Film Providing Wholesome Entertainment. Its soundtrack album became one of the most popular of the 1990s. (Full article...)
    Dilwale Dulhania Le Jayenge (transl. The Brave-Hearted Will Take the Bride), also known by the initialism DDLJ, is a 1995 Indian Hindi-language musical romance film written and directed by Aditya Chopra in his directorial debut and produced by his father Yash Chopra. Released on 20 October 1995, the film stars Shah Rukh Khan and Kajol as Raj and Simran, two young non-resident Indians, who fall in love during a vacation through Europe with their friends. Raj tries to win over Simran's family so the couple can marry, but Simran's father has long since promised her hand to his friend's son. The film was shot in India, London, and Switzerland, from September 1994 to August 1995.

    With an estimated total gross of ₹102.5 crore (today's adjusted gross ₹524 crore), with ₹89 crore (today's adjusted gross ₹455 crore) earned in India and ₹13.50 crore (today's adjusted gross ₹69 crore) in overseas, the film was the highest-grossing Indian film of 1995 and one of the most successful Indian films in history. When adjusted for inflation, it is the second highest-grossing Indian film of the 1990s, behind Hum Aapke Hain Koun..! It won 10 Filmfare Awards—the most for a single film at that time—and the National Film Award for Best Popular Film Providing Wholesome Entertainment. Its soundtrack album became one of the most popular of the 1990s. (Full article...)
  • Image 11 Core area of Western Chalukya architectural activity in modern Karnataka state, India Western Chalukya architecture, also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style. Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
    Core area of Western Chalukya architectural activity in modern Karnataka state, India

    Western Chalukya architecture, also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style.

    Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
  • Image 12 The 44th Chess Olympiad was an international team chess event organised by the International Chess Federation (FIDE) in Chennai, India, from 28 July to 10 August 2022. It consisted of two main tournaments—an Open event, enabling participation of players from all genders, and a Women's event, enabling participation of female players only—as well as several events to promote chess. The Olympiad was initially supposed to take place in Khanty-Mansiysk, Russia, the host of the Chess World Cup 2019, in August 2020, but it was later moved to Moscow. However, it was postponed due to the COVID-19 pandemic and then relocated to Chennai following Russia's invasion of Ukraine. This was the first Chess Olympiad to take place in India. The total number of participants was 1,737: 937 in the Open and 800 in the Women's event. The number of registered teams was 188 from 186 nations in the Open section and 162 from 160 nations in the Women's section; being the host nation, India had three teams participating in each section. Both sections set team participation records. The main venue of the Chess Olympiad was the convention centre at the Four Points by Sheraton, while the opening and closing ceremonies were held at the Jawaharlal Nehru Stadium. The Chief Arbiter of the event was France's Laurent Freyd. (Full article...)
    The 44th Chess Olympiad was an international team chess event organised by the International Chess Federation (FIDE) in Chennai, India, from 28 July to 10 August 2022. It consisted of two main tournaments—an Open event, enabling participation of players from all genders, and a Women's event, enabling participation of female players only—as well as several events to promote chess. The Olympiad was initially supposed to take place in Khanty-Mansiysk, Russia, the host of the Chess World Cup 2019, in August 2020, but it was later moved to Moscow. However, it was postponed due to the COVID-19 pandemic and then relocated to Chennai following Russia's invasion of Ukraine. This was the first Chess Olympiad to take place in India.

    The total number of participants was 1,737: 937 in the Open and 800 in the Women's event. The number of registered teams was 188 from 186 nations in the Open section and 162 from 160 nations in the Women's section; being the host nation, India had three teams participating in each section. Both sections set team participation records. The main venue of the Chess Olympiad was the convention centre at the Four Points by Sheraton, while the opening and closing ceremonies were held at the Jawaharlal Nehru Stadium. The Chief Arbiter of the event was France's Laurent Freyd. (Full article...)
  • Image 13 The central image at Vithoba Temple in Pandharpur Vithoba (IAST: Viṭhobā), also known as Vitthala (IAST: Viṭṭhala), and Panduranga (IAST: Pāṇḍuraṅga), is a Hindu deity predominantly worshipped in the Indian states of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai. Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith in Maharashtra and the Haridasa sect established in Dvaita Vedanta in Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartika. (Full article...)

    The central image at Vithoba Temple in Pandharpur

    Vithoba (IAST: Viṭhobā), also known as Vitthala (IAST: Viṭṭhala), and Panduranga (IAST: Pāṇḍuraṅga), is a Hindu deity predominantly worshipped in the Indian states of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai.

    Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith in Maharashtra and the Haridasa sect established in Dvaita Vedanta in Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartika. (Full article...)
  • Image 14 Sorabji in 1917 Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion. Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)

    Sorabji in 1917

    Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion.

    Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)
  • Image 15 Portrait by Alexander Bassano, 1882 Victoria (Alexandrina Victoria; 24 May 1819 – 22 January 1901) was Queen of the United Kingdom of Great Britain and Ireland from 20 June 1837 until her death in 1901. Her reign of 63 years and 216 days, which was longer than those of any of her predecessors, constituted the Victorian era. It was a period of industrial, political, scientific, and military change within the United Kingdom, and was marked by a great expansion of the British Empire. In 1876, the British parliament voted to grant her the additional title of Empress of India. Victoria was the daughter of Prince Edward, Duke of Kent and Strathearn (the fourth son of King George III), and Princess Victoria of Saxe-Coburg-Saalfeld. After the deaths of her father and grandfather in 1820, she was raised under close supervision by her mother and her comptroller, John Conroy. She inherited the throne aged 18 after her father's three elder brothers died without surviving legitimate issue. Victoria, a constitutional monarch, attempted privately to influence government policy and ministerial appointments; publicly, she became a national icon who was identified with strict standards of personal morality. (Full article...)

    Portrait by Alexander Bassano, 1882

    Victoria (Alexandrina Victoria; 24 May 1819 – 22 January 1901) was Queen of the United Kingdom of Great Britain and Ireland from 20 June 1837 until her death in 1901. Her reign of 63 years and 216 days, which was longer than those of any of her predecessors, constituted the Victorian era. It was a period of industrial, political, scientific, and military change within the United Kingdom, and was marked by a great expansion of the British Empire. In 1876, the British parliament voted to grant her the additional title of Empress of India.

    Victoria was the daughter of Prince Edward, Duke of Kent and Strathearn (the fourth son of King George III), and Princess Victoria of Saxe-Coburg-Saalfeld. After the deaths of her father and grandfather in 1820, she was raised under close supervision by her mother and her comptroller, John Conroy. She inherited the throne aged 18 after her father's three elder brothers died without surviving legitimate issue. Victoria, a constitutional monarch, attempted privately to influence government policy and ministerial appointments; publicly, she became a national icon who was identified with strict standards of personal morality. (Full article...)
  • Image 16 Cyclone 04B at peak intensity near landfall The 2000 Sri Lanka cyclone (IMD designation: BOB 06 JTWC designation: 04B) was the strongest tropical cyclone to strike Sri Lanka since 1978. The fourth tropical storm and the second severe cyclonic storm of the 2000 North Indian Ocean cyclone season, it developed from an area of disturbed weather on December 25, 2000. It moved westward, and quickly strengthened under favorable conditions to reach top wind speeds of 75 mph (121 km/h). The cyclone hit eastern Sri Lanka at peak strength, then weakened slightly while crossing the island before making landfall over southern India on December 28. The storm degenerated into a remnant low later that day, before merging with another trough on the next day. The storm was the first cyclone over Sri Lanka with winds of at least hurricane strength since a cyclone of 1978 hit the island in the 1978 season, as well as the first tropical storm to hit the island since 1992. The storm was also the first December tropical cyclone of hurricane intensity in the Bay of Bengal since 1996. It produced heavy rainfall and strong winds, damaging or destroying tens of thousands of houses and leaving up to 500,000 homeless. At least nine people died as a result of the cyclone. (Full article...)

    Cyclone 04B at peak intensity near landfall

    The 2000 Sri Lanka cyclone (IMD designation: BOB 06 JTWC designation: 04B) was the strongest tropical cyclone to strike Sri Lanka since 1978. The fourth tropical storm and the second severe cyclonic storm of the 2000 North Indian Ocean cyclone season, it developed from an area of disturbed weather on December 25, 2000. It moved westward, and quickly strengthened under favorable conditions to reach top wind speeds of 75 mph (121 km/h). The cyclone hit eastern Sri Lanka at peak strength, then weakened slightly while crossing the island before making landfall over southern India on December 28. The storm degenerated into a remnant low later that day, before merging with another trough on the next day.

    The storm was the first cyclone over Sri Lanka with winds of at least hurricane strength since a cyclone of 1978 hit the island in the 1978 season, as well as the first tropical storm to hit the island since 1992. The storm was also the first December tropical cyclone of hurricane intensity in the Bay of Bengal since 1996. It produced heavy rainfall and strong winds, damaging or destroying tens of thousands of houses and leaving up to 500,000 homeless. At least nine people died as a result of the cyclone. (Full article...)
  • Image 17 A female African bush elephant in Mikumi National Park, Tanzania Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs. Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)

    A female African bush elephant in Mikumi National Park, Tanzania

    Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs.

    Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)
  • Image 18 Ganges river dolphin breaking the surface South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene. South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)

    Ganges river dolphin breaking the surface

    South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene.

    South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)
  • Image 19 Poore pictured in 1899 Brigadier-General Robert Montagu Poore, CIE, DSO, DL, JP (20 March 1866 – 14 July 1938) was an Anglo-Irish cricketer and British Army officer who, while serving in South Africa in 1896, played in three Test matches for the South African cricket team. He featured most prominently in first-class cricket playing county cricket in England for Hampshire between 1898 and 1906, where he gained a reputation as a batsman, having notable success in 1899 when he was the highest first-class run-scorer in England. Alongside playing for Hampshire, Poore also played first-class cricket in India for the Europeans in the Bombay Presidency Matches. An all-round sportsman, he was also a capable swordsman, and polo, tennis, racquets, and squash player, in addition to being a skilled marksman. Poore had success in the Royal Naval and Military Tournaments, being adjudged the best man-at-arms on four occasions. Poore began his military service in the Volunteer Force with the 3rd (Royal Wiltshire Militia) Battalion of the Wiltshire Regiment in 1883, before gaining a regular commission in the British Army in 1886. From there, he transferred to the 7th Hussars in the same year and shortly after served in British India, where he was aide-de-camp to the Governor of Bombay. Poore served in the Second Matabele War in Southern Africa and later in the Second Boer War from 1899 to 1902, during which he was seconded to the Mounted Military Police and served as provost marshal at Army Headquarters Pretoria. In this role, he played an important part in investigating and recording the war–crimes trial and execution of Breaker Morant and Peter Handcock. Decorated with the Distinguished Service Order during the war, Poore later returned to the Hussars and served in the First World War between 1914 and 1918, commanding the Jhansi Brigade of the British Indian Army from 1915, for which he was made a Companion of the Order of the Indian Empire in 1918. He retired from active military service in 1921. In later life, he was a deputy lieutenant for Dorset. (Full article...)

    Poore pictured in 1899

    Brigadier-General Robert Montagu Poore, CIE, DSO, DL, JP (20 March 1866 – 14 July 1938) was an Anglo-Irish cricketer and British Army officer who, while serving in South Africa in 1896, played in three Test matches for the South African cricket team. He featured most prominently in first-class cricket playing county cricket in England for Hampshire between 1898 and 1906, where he gained a reputation as a batsman, having notable success in 1899 when he was the highest first-class run-scorer in England. Alongside playing for Hampshire, Poore also played first-class cricket in India for the Europeans in the Bombay Presidency Matches. An all-round sportsman, he was also a capable swordsman, and polo, tennis, racquets, and squash player, in addition to being a skilled marksman. Poore had success in the Royal Naval and Military Tournaments, being adjudged the best man-at-arms on four occasions.

    Poore began his military service in the Volunteer Force with the 3rd (Royal Wiltshire Militia) Battalion of the Wiltshire Regiment in 1883, before gaining a regular commission in the British Army in 1886. From there, he transferred to the 7th Hussars in the same year and shortly after served in British India, where he was aide-de-camp to the Governor of Bombay. Poore served in the Second Matabele War in Southern Africa and later in the Second Boer War from 1899 to 1902, during which he was seconded to the Mounted Military Police and served as provost marshal at Army Headquarters Pretoria. In this role, he played an important part in investigating and recording the war–crimes trial and execution of Breaker Morant and Peter Handcock. Decorated with the Distinguished Service Order during the war, Poore later returned to the Hussars and served in the First World War between 1914 and 1918, commanding the Jhansi Brigade of the British Indian Army from 1915, for which he was made a Companion of the Order of the Indian Empire in 1918. He retired from active military service in 1921. In later life, he was a deputy lieutenant for Dorset. (Full article...)
  • Image 20 Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll. The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself. The election came at a time of public debate about British rule in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
    Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll.

    The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself.

    The election came at a time of public debate about British rule in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
  • Image 21 Murray in 1928 Margaret Alice Murray FSA Scot FRAI (13 July 1863 – 13 November 1963) was an Anglo-Indian Egyptologist, archaeologist, anthropologist, historian, and folklorist. The first woman to be appointed as a lecturer in archaeology in the United Kingdom, she worked at University College London (UCL) from 1898 to 1935. She was president of the Folklore Society from 1953 to 1955, and published widely. Born to a wealthy middle-class English family in Calcutta, British India, Murray divided her youth between India, Britain, and Germany, training as both a nurse and a social worker. Moving to London, in 1894 she began studying Egyptology at UCL, developing a friendship with department head Flinders Petrie, who encouraged her early academic publications and appointed her junior lecturer in 1898. In 1902–1903, she took part in Petrie's excavations at Abydos, Egypt, there discovering the Osireion temple, and the following season investigated the Saqqara cemetery, both of which established her reputation in Egyptology. Supplementing her UCL wage by giving public classes and lectures at the British Museum and Manchester Museum, it was at the latter in 1908 that she led the unwrapping of Khnum-nakht, one of the mummies recovered from the Tomb of two Brothers – the first time that a woman had publicly unwrapped a mummy. Recognising that British Egyptomania reflected the existence of widespread public interest in Ancient Egypt, Murray wrote several books on Egyptology targeted at a general audience. (Full article...)

    Murray in 1928

    Margaret Alice Murray FSA Scot FRAI (13 July 1863 – 13 November 1963) was an Anglo-Indian Egyptologist, archaeologist, anthropologist, historian, and folklorist. The first woman to be appointed as a lecturer in archaeology in the United Kingdom, she worked at University College London (UCL) from 1898 to 1935. She was president of the Folklore Society from 1953 to 1955, and published widely.

    Born to a wealthy middle-class English family in Calcutta, British India, Murray divided her youth between India, Britain, and Germany, training as both a nurse and a social worker. Moving to London, in 1894 she began studying Egyptology at UCL, developing a friendship with department head Flinders Petrie, who encouraged her early academic publications and appointed her junior lecturer in 1898. In 1902–1903, she took part in Petrie's excavations at Abydos, Egypt, there discovering the Osireion temple, and the following season investigated the Saqqara cemetery, both of which established her reputation in Egyptology. Supplementing her UCL wage by giving public classes and lectures at the British Museum and Manchester Museum, it was at the latter in 1908 that she led the unwrapping of Khnum-nakht, one of the mummies recovered from the Tomb of two Brothers – the first time that a woman had publicly unwrapped a mummy. Recognising that British Egyptomania reflected the existence of widespread public interest in Ancient Egypt, Murray wrote several books on Egyptology targeted at a general audience. (Full article...)
  • Image 22 Kapoor in 2017 Sonam Kapoor Ahuja (pronounced [soːnəm kəˈpuːr]; born 9 June 1985) is an Indian actress who works in Hindi films. She has received several awards, including a National Film Award and a Filmfare Award. Kapoor appeared in Forbes India's Celebrity 100 list from 2012 to 2016. Kapoor, the daughter of actor Anil Kapoor, began her career as an assistant director on filmmaker Sanjay Leela Bhansali's 2005 film Black. She made her acting debut in Bhansali's romantic drama Saawariya (2007), a box office flop, and had her first commercial success with the romantic comedy I Hate Luv Storys (2010). This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. The 2013 box office hit Raanjhanaa marked a turning point in Kapoor's career, garnering her praise and Best Actress nominations at several award ceremonies. (Full article...)

    Kapoor in 2017

    Sonam Kapoor Ahuja (pronounced [soːnəm kəˈpuːr]; born 9 June 1985) is an Indian actress who works in Hindi films. She has received several awards, including a National Film Award and a Filmfare Award. Kapoor appeared in Forbes India's Celebrity 100 list from 2012 to 2016.

    Kapoor, the daughter of actor Anil Kapoor, began her career as an assistant director on filmmaker Sanjay Leela Bhansali's 2005 film Black. She made her acting debut in Bhansali's romantic drama Saawariya (2007), a box office flop, and had her first commercial success with the romantic comedy I Hate Luv Storys (2010). This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. The 2013 box office hit Raanjhanaa marked a turning point in Kapoor's career, garnering her praise and Best Actress nominations at several award ceremonies. (Full article...)
  • Image 23 Rashtrakuta control around 790 AD, during the Tripartite Struggle The Rashtrakuta Empire was a royal Indian polity ruling large parts of the Indian subcontinent between the 6th and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from Manapur, a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language. The Elichpur clan was a feudatory of the Badami Chalukyas, and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753 AD. At the same time the Pala dynasty of Bengal and the Prathihara dynasty of Gurjaratra were gaining force in eastern and northwestern India respectively. An Arabic text, Silsilat al-Tawarikh (851), called the Rashtrakutas one of the four principal empires of the world. (Full article...)

    Rashtrakuta control around 790 AD, during the Tripartite Struggle

    The Rashtrakuta Empire was a royal Indian polity ruling large parts of the Indian subcontinent between the 6th and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from Manapur, a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language.

    The Elichpur clan was a feudatory of the Badami Chalukyas, and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753 AD. At the same time the Pala dynasty of Bengal and the Prathihara dynasty of Gurjaratra were gaining force in eastern and northwestern India respectively. An Arabic text, Silsilat al-Tawarikh (851), called the Rashtrakutas one of the four principal empires of the world. (Full article...)
  • Image 24 Eega (transl. The Fly) is a 2012 Indian Telugu-language fantasy action film written and directed by S. S. Rajamouli. The film was produced by Sai Korrapati's Vaaraahi Chalana Chitram with an estimated budget of ₹30–40 crore (US$6–7 million). It was filmed simultaneously in Tamil with the title Naan Ee (transl. I, the Fly). The film stars Nani, Samantha, and Sudeep. M. M. Keeravani composed the songs and the background score, while K. K. Senthil Kumar was the director of photography. Janardhana Maharshi and Crazy Mohan wrote the dialogue for the Telugu and Tamil versions, respectively. The film's narrative is in the form of a bedtime story told by a father to his daughter. Its protagonist, Nani, who is in love with his neighbour Bindu, is murdered by a wealthy industrialist named Sudeep, who is attracted to Bindu and considers Nani a rival. Nani reincarnates as a housefly and tries to avenge his death and protect Bindu from an obsessive Sudeep. (Full article...)
    Eega (transl. The Fly) is a 2012 Indian Telugu-language fantasy action film written and directed by S. S. Rajamouli. The film was produced by Sai Korrapati's Vaaraahi Chalana Chitram with an estimated budget of ₹30–40 crore (US$6–7 million). It was filmed simultaneously in Tamil with the title Naan Ee (transl. I, the Fly). The film stars Nani, Samantha, and Sudeep. M. M. Keeravani composed the songs and the background score, while K. K. Senthil Kumar was the director of photography. Janardhana Maharshi and Crazy Mohan wrote the dialogue for the Telugu and Tamil versions, respectively.

    The film's narrative is in the form of a bedtime story told by a father to his daughter. Its protagonist, Nani, who is in love with his neighbour Bindu, is murdered by a wealthy industrialist named Sudeep, who is attracted to Bindu and considers Nani a rival. Nani reincarnates as a housefly and tries to avenge his death and protect Bindu from an obsessive Sudeep. (Full article...)
  • Image 25 The Kingdom of Mysore was a geopolitical realm in southern India founded in around 1399 in the vicinity of the modern-day city of Mysore and prevailed until 1950. The territorial boundaries and the form of government transmuted substantially throughout the kingdom's lifetime. While originally a feudal vassal under the Vijayanagara Empire, it became a princely state in British Raj from 1799 to 1947, marked in-between by major political changes. The kingdom, which was founded and ruled for the most part by the Wadiyars, initially served as a feudal vassal under the Vijayanagara Empire. With the gradual decline of the Empire, the 16th-century Timmaraja Wodeyar II declared independence from it. The 17th century saw a steady expansion of its territory and, during the rules of Narasaraja Wodeyar I and Devaraja Wodeyar II, the kingdom annexed large expanses of what is now southern Karnataka and parts of Tamil Nadu, becoming a formidable power in the Deccan. (Full article...)

    The Kingdom of Mysore was a geopolitical realm in southern India founded in around 1399 in the vicinity of the modern-day city of Mysore and prevailed until 1950. The territorial boundaries and the form of government transmuted substantially throughout the kingdom's lifetime. While originally a feudal vassal under the Vijayanagara Empire, it became a princely state in British Raj from 1799 to 1947, marked in-between by major political changes.

    The kingdom, which was founded and ruled for the most part by the Wadiyars, initially served as a feudal vassal under the Vijayanagara Empire. With the gradual decline of the Empire, the 16th-century Timmaraja Wodeyar II declared independence from it. The 17th century saw a steady expansion of its territory and, during the rules of Narasaraja Wodeyar I and Devaraja Wodeyar II, the kingdom annexed large expanses of what is now southern Karnataka and parts of Tamil Nadu, becoming a formidable power in the Deccan. (Full article...)
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  • Image 1 Padma Vibhushan medal attached with a pink ribbon The Padma Vibhushan is the second highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for the "exceptional and distinguished service", without distinction of race, occupation, position, or sex. The Padma Vibhushan award recipients are announced every year on Republic Day and registered in The Gazette of India—a publication released weekly by the Department of Publication, Ministry of Urban Development used for official government notices. The conferral of the award is not considered official without its publication in the Gazette. Recipients whose awards have been revoked or restored, both of which require the authority of the President, are also registered in the Gazette and are required to surrender their medals when their names are struck from the register. As of 2020[update], none of the conferments of Padma Vibhushan have been revoked or restored. The recommendations are received from all the state and the union territory governments, the Ministries of the Government, the Bharat Ratna and previous Padma Vibhushan award recipients, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. The recommendations received during 1 May and 15 September of every year are submitted to the Padma Awards Committee, constituted by the Prime Minister. The committee recommendations are later submitted to the Prime Minister and the President for the further approval. When instituted in 1954, the Padma Vibhushan was classified as "Pahela Varg" (Class I) under the three-tier Padma Vibhushan awards; preceded by the Bharat Ratna, the highest civilian award, and followed by "Dusra Varg" (Class II), and "Tisra Varg" (Class III). On 15 January 1955, the Padma Vibhushan was reclassified into three different awards; the Padma Vibhushan, the highest of the three, followed by the Padma Bhushan and the Padma Shri. The criteria includes "exceptional and distinguished service in any field including service rendered by Government servants" but excluding those working with the Public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards but this was subsequently modified in the January 1955 statute. The award, along with other personal civil honours, was briefly suspended twice in its history; for the first time in July 1977 when Morarji Desai was sworn in as the fourth Prime Minister. The suspension was rescinded on 25 January 1980, after Indira Gandhi became the Prime Minister. The civilian awards were suspended again in mid-1992, when two Public-Interest Litigations were filed in the High Courts questioning the civilian awards being "Titles" per an interpretation of Article 18 (1) of the Constitution. The awards were reintroduced by the Supreme Court in December 1995, following the conclusion of the litigation. (Full article...)

    Padma Vibhushan medal attached with a pink ribbon

    The Padma Vibhushan is the second highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for the "exceptional and distinguished service", without distinction of race, occupation, position, or sex. The Padma Vibhushan award recipients are announced every year on Republic Day and registered in The Gazette of India—a publication released weekly by the Department of Publication, Ministry of Urban Development used for official government notices. The conferral of the award is not considered official without its publication in the Gazette. Recipients whose awards have been revoked or restored, both of which require the authority of the President, are also registered in the Gazette and are required to surrender their medals when their names are struck from the register. As of 2020, none of the conferments of Padma Vibhushan have been revoked or restored. The recommendations are received from all the state and the union territory governments, the Ministries of the Government, the Bharat Ratna and previous Padma Vibhushan award recipients, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. The recommendations received during 1 May and 15 September of every year are submitted to the Padma Awards Committee, constituted by the Prime Minister. The committee recommendations are later submitted to the Prime Minister and the President for the further approval.

    When instituted in 1954, the Padma Vibhushan was classified as "Pahela Varg" (Class I) under the three-tier Padma Vibhushan awards; preceded by the Bharat Ratna, the highest civilian award, and followed by "Dusra Varg" (Class II), and "Tisra Varg" (Class III). On 15 January 1955, the Padma Vibhushan was reclassified into three different awards; the Padma Vibhushan, the highest of the three, followed by the Padma Bhushan and the Padma Shri. The criteria includes "exceptional and distinguished service in any field including service rendered by Government servants" but excluding those working with the Public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards but this was subsequently modified in the January 1955 statute. The award, along with other personal civil honours, was briefly suspended twice in its history; for the first time in July 1977 when Morarji Desai was sworn in as the fourth Prime Minister. The suspension was rescinded on 25 January 1980, after Indira Gandhi became the Prime Minister. The civilian awards were suspended again in mid-1992, when two Public-Interest Litigations were filed in the High Courts questioning the civilian awards being "Titles" per an interpretation of Article 18 (1) of the Constitution. The awards were reintroduced by the Supreme Court in December 1995, following the conclusion of the litigation. (Full article...)
  • Image 2 Bowlers have taken thirteen five-wicket hauls in Tests and one fifer in One Day International matches played at Brabourne. Brabourne Stadium is a cricket ground in Mumbai, India. It is the home of the Cricket Club of India and has played host to Ranji Trophy matches (including seventeen finals) and Indian Premier League matches, as well as being a Test, One Day International (ODI) and Twenty20 International (T20I) venue. It has a capacity of 20,000 spectators. The ground has hosted 18 Test matches, the first in 1948 when India played the West Indies. It has also staged nine ODI matches, the first of which was in 1989 when Australia lost to Pakistan by 66 runs. One T20I has been played at the ground when India beat Australia by seven wickets in 2007. This was also the first T20I to be played in India. Of the nine ODIs played at the stadium, five matches (including the final) were staged during the ICC Champions Trophy in 2006. In cricket, a five-wicket haul (also known as a "five-for" or "fifer") refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement. The first bowler to take a five-wicket haul in a Test match at Brabourne Stadium was Prior Jones in 1949, for the West Indies against India. The first Indian to take a five-wicket haul in a Test at the Brabourne was Vinoo Mankad, who did so in a game against Pakistan in 1952. B. S. Chandrasekhar is the only bowler to have taken two five-wicket hauls in Test matches at the ground, doing so against the West Indies in 1966 and against England in 1973. Chandrasekhar is also the only bowler to have taken ten wickets in a match at Brabourne, he took eleven wickets against the West Indies in 1966. Twelve bowlers have taken thirteen five-wicket hauls at the ground. Sri Lankan bowler Farveez Maharoof's five wicket haul against the West Indies in 2006, is the only one achieved during an ODI. Khaleel Ahmed's three wickets for thirteen runs in an ODI versus West Indies in 2018 are the best figures by an Indian at the ground in the fifty over format. The best bowling figures in the only T20I staged at the ground featuring India and Australia in 2007 are Irfan Pathan's two wickets for thirty-four runs. (Full article...)
    Brabourne Stadium in Mumbai. Image shows the playing field, part of west stand and the art-deco pavilion. Floodlight tower stands next to pavilion on the left.
    Bowlers have taken thirteen five-wicket hauls in Tests and one fifer in One Day International matches played at Brabourne.

    Brabourne Stadium is a cricket ground in Mumbai, India. It is the home of the Cricket Club of India and has played host to Ranji Trophy matches (including seventeen finals) and Indian Premier League matches, as well as being a Test, One Day International (ODI) and Twenty20 International (T20I) venue. It has a capacity of 20,000 spectators. The ground has hosted 18 Test matches, the first in 1948 when India played the West Indies. It has also staged nine ODI matches, the first of which was in 1989 when Australia lost to Pakistan by 66 runs. One T20I has been played at the ground when India beat Australia by seven wickets in 2007. This was also the first T20I to be played in India. Of the nine ODIs played at the stadium, five matches (including the final) were staged during the ICC Champions Trophy in 2006.

    In cricket, a five-wicket haul (also known as a "five-for" or "fifer") refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement. The first bowler to take a five-wicket haul in a Test match at Brabourne Stadium was Prior Jones in 1949, for the West Indies against India. The first Indian to take a five-wicket haul in a Test at the Brabourne was Vinoo Mankad, who did so in a game against Pakistan in 1952. B. S. Chandrasekhar is the only bowler to have taken two five-wicket hauls in Test matches at the ground, doing so against the West Indies in 1966 and against England in 1973. Chandrasekhar is also the only bowler to have taken ten wickets in a match at Brabourne, he took eleven wickets against the West Indies in 1966. Twelve bowlers have taken thirteen five-wicket hauls at the ground. Sri Lankan bowler Farveez Maharoof's five wicket haul against the West Indies in 2006, is the only one achieved during an ODI. Khaleel Ahmed's three wickets for thirteen runs in an ODI versus West Indies in 2018 are the best figures by an Indian at the ground in the fifty over format. The best bowling figures in the only T20I staged at the ground featuring India and Australia in 2007 are Irfan Pathan's two wickets for thirty-four runs. (Full article...)
  • Image 3 Zinta at a promotional event for Bhaiaji Superhit (2018) Preity G Zinta is an Indian actress known for her work in Hindi films. She made her debut in 1998 with a supporting role in the drama Dil Se... Later that year, she starred in the commercially successful thriller Soldier. For the films, she won a Filmfare Award in the Best Female Debut category. In 1999, Zinta played the role of a CBI officer in the psychological thriller Sangharsh. She followed this with the role of a teenage single mother in the Kundan Shah-directed drama Kya Kehna (2000), a sleeper hit. That same year, she starred in the romance Har Dil Jo Pyar Karega, and the crime drama Mission Kashmir, the third highest grossing Bollywood film of the year. In 2001, Zinta featured in the dramedy Dil Chahta Hai, which is cited in the media as a defining film of Hindi cinema. Later that year, she portrayed a prostitute-turned-surrogate in the romantic drama Chori Chori Chupke Chupke. Her only screen appearance of 2002 was in the box-office flop Dil Hai Tumhaara. Zinta featured in four films in 2003. Her first role of the year was opposite Sunny Deol in Anil Sharma's drama The Hero—the most expensive Bollywood film to that point. She played a negative role in the romantic drama Armaan, which saw her portray a rich, schizophrenic woman. Following this, she starred in two blockbusters—the science fiction film Koi... Mil Gaya and the drama Kal Ho Naa Ho. For the latter, she won the Filmfare Award for Best Actress. (Full article...)
    Zinta at a promotional event for Bhaiaji Superhit (2018)


    Preity G Zinta is an Indian actress known for her work in Hindi films. She made her debut in 1998 with a supporting role in the drama Dil Se... Later that year, she starred in the commercially successful thriller Soldier. For the films, she won a Filmfare Award in the Best Female Debut category. In 1999, Zinta played the role of a CBI officer in the psychological thriller Sangharsh. She followed this with the role of a teenage single mother in the Kundan Shah-directed drama Kya Kehna (2000), a sleeper hit. That same year, she starred in the romance Har Dil Jo Pyar Karega, and the crime drama Mission Kashmir, the third highest grossing Bollywood film of the year.

    In 2001, Zinta featured in the dramedy Dil Chahta Hai, which is cited in the media as a defining film of Hindi cinema. Later that year, she portrayed a prostitute-turned-surrogate in the romantic drama Chori Chori Chupke Chupke. Her only screen appearance of 2002 was in the box-office flop Dil Hai Tumhaara. Zinta featured in four films in 2003. Her first role of the year was opposite Sunny Deol in Anil Sharma's drama The Hero—the most expensive Bollywood film to that point. She played a negative role in the romantic drama Armaan, which saw her portray a rich, schizophrenic woman. Following this, she starred in two blockbusters—the science fiction film Koi... Mil Gaya and the drama Kal Ho Naa Ho. For the latter, she won the Filmfare Award for Best Actress. (Full article...)
  • Image 4 Dil Dhadakne Do (transl. Let the Heart Beat) is a 2015 Indian comedy-drama film directed by Zoya Akhtar. Produced by Ritesh Sidhwani and Farhan Akhtar, the film features an ensemble cast consisting of Anil Kapoor, Shefali Shah, Priyanka Chopra, Ranveer Singh, Anushka Sharma and Farhan Akhtar. The supporting cast also includes Rahul Bose, Zarina Wahab, Vikrant Massey, Ridhima Sud, Pawan Chopra, Parmeet Sethi, Dolly Mattdo and Manoj Pahwa. Akhtar co-wrote the screenplay with her friend and longtime collaborator Reema Kagti. The soundtrack was composed by the trio Shankar–Ehsaan–Loy while the cinematography was provided by Carlos Catalan. Anand Subaya and Manan Mehta edited the film. The film tells the story of the Mehras, a dysfunctional Punjabi family who invite their family and friends along on a cruise trip to celebrate the parents' 30th wedding anniversary. Dil Dhadakne Do was released worldwide on 5 June 2015 to positive reviews from critics. The film grossed ₹1.45 billion at global box office on a budget of ₹580 million. The film garnered awards and nominations in a variety of categories with particular praise for Akhtar's direction, the performances, the music and costume design. (Full article...)

    Dil Dhadakne Do (transl. Let the Heart Beat) is a 2015 Indian comedy-drama film directed by Zoya Akhtar. Produced by Ritesh Sidhwani and Farhan Akhtar, the film features an ensemble cast consisting of Anil Kapoor, Shefali Shah, Priyanka Chopra, Ranveer Singh, Anushka Sharma and Farhan Akhtar. The supporting cast also includes Rahul Bose, Zarina Wahab, Vikrant Massey, Ridhima Sud, Pawan Chopra, Parmeet Sethi, Dolly Mattdo and Manoj Pahwa. Akhtar co-wrote the screenplay with her friend and longtime collaborator Reema Kagti. The soundtrack was composed by the trio Shankar–Ehsaan–Loy while the cinematography was provided by Carlos Catalan. Anand Subaya and Manan Mehta edited the film.

    The film tells the story of the Mehras, a dysfunctional Punjabi family who invite their family and friends along on a cruise trip to celebrate the parents' 30th wedding anniversary. Dil Dhadakne Do was released worldwide on 5 June 2015 to positive reviews from critics. The film grossed ₹1.45 billion at global box office on a budget of ₹580 million. The film garnered awards and nominations in a variety of categories with particular praise for Akhtar's direction, the performances, the music and costume design. (Full article...)
  • Image 5 Emblem of Tamil Nadu The chief minister of Tamil Nadu is the chief executive of the Indian state of Tamil Nadu. In accordance with the Constitution of India, the governor is a state's de jure head, but de facto executive authority rests with the chief minister. Following elections to the Tamil Nadu Legislative Assembly, the state's governor usually invites the party (or coalition) with a majority of seats to form the government. The governor appoints the chief minister, whose council of ministers are collectively responsible to the assembly. Given that he has the confidence of the assembly, the chief minister's term is for five years and is subject to no term limits. Since 1952, Tamil Nadu has had 12 chief ministers, 13 including V. R. Nedunchezhiyan, who twice acted in the role. The longest-serving chief minister, M. Karunanidhi from Dravida Munnetra Kazhagam held the office for over eighteen years in multiple tenures, while he was the one who had the largest gap between two terms (nearly thirteen years). The All India Anna Dravida Munnetra Kazhagam's former general secretary J. Jayalalithaa has the second-longest tenure, and its founder M. G. Ramachandran, the first actor to become the chief minister in India has the third-longest tenure, while his wife V. N. Janaki Ramachandran has the shortest tenure (only 23 days). K. Kamaraj resigned his post of his own free will and devoted all of his energy to the revitalization of the Indian National Congress party; he was responsible for the elevation of Lal Bahadur Shastri to the position of Prime Minister of the Republic of India following the death of Jawaharlal Nehru and of Indira Gandhi following the death of Lal Bahadur Shastri. C. Rajagopalachari served as the last Governor-General of the Union of India before becoming chief minister of undivided Madras State. There have been four instances of president's rule in Tamil Nadu, most recently in 1991. (Full article...)

    Emblem of Tamil Nadu

    The chief minister of Tamil Nadu is the chief executive of the Indian state of Tamil Nadu. In accordance with the Constitution of India, the governor is a state's de jure head, but de facto executive authority rests with the chief minister. Following elections to the Tamil Nadu Legislative Assembly, the state's governor usually invites the party (or coalition) with a majority of seats to form the government. The governor appoints the chief minister, whose council of ministers are collectively responsible to the assembly. Given that he has the confidence of the assembly, the chief minister's term is for five years and is subject to no term limits.

    Since 1952, Tamil Nadu has had 12 chief ministers, 13 including V. R. Nedunchezhiyan, who twice acted in the role. The longest-serving chief minister, M. Karunanidhi from Dravida Munnetra Kazhagam held the office for over eighteen years in multiple tenures, while he was the one who had the largest gap between two terms (nearly thirteen years). The All India Anna Dravida Munnetra Kazhagam's former general secretary J. Jayalalithaa has the second-longest tenure, and its founder M. G. Ramachandran, the first actor to become the chief minister in India has the third-longest tenure, while his wife V. N. Janaki Ramachandran has the shortest tenure (only 23 days). K. Kamaraj resigned his post of his own free will and devoted all of his energy to the revitalization of the Indian National Congress party; he was responsible for the elevation of Lal Bahadur Shastri to the position of Prime Minister of the Republic of India following the death of Jawaharlal Nehru and of Indira Gandhi following the death of Lal Bahadur Shastri. C. Rajagopalachari served as the last Governor-General of the Union of India before becoming chief minister of undivided Madras State. There have been four instances of president's rule in Tamil Nadu, most recently in 1991. (Full article...)
  • Image 6 Map shows the ruling parties in states and union territories In the Republic of India, a chief minister is the head of government of each of the twenty-eight states and three of the eight union territories. According to the Constitution of India, at the state level, the governor is de jure head, but de facto executive authority rests with the chief minister. Following elections to the state legislative assembly, the governor usually invites the party (or coalition) with a majority of seats to form the state government. The governor appoints the chief minister, whose council of ministers are collectively responsible to the assembly. Out of the thirty incumbents, except Tamil Nadu's M. K. Stalin, all other chief ministers also act as the leader of the house in their legislative assemblies. Given they have the assembly's confidence, the chief minister's term is usually for a maximum of five years; there are no limits to the number of terms they can serve. Mamata Banerjee the Chief Minister of West Bengal, who has the longest continuous incumbency serving since 20 March 2011 (for 13 years, 310 days) and Rekha Gupta of Delhi are the only two incumbent female Chief Ministers. (Full article...)
    Map shows the ruling parties in states and union territories

    In the Republic of India, a chief minister is the head of government of each of the twenty-eight states and three of the eight union territories. According to the Constitution of India, at the state level, the governor is de jure head, but de facto executive authority rests with the chief minister. Following elections to the state legislative assembly, the governor usually invites the party (or coalition) with a majority of seats to form the state government. The governor appoints the chief minister, whose council of ministers are collectively responsible to the assembly. Out of the thirty incumbents, except Tamil Nadu's M. K. Stalin, all other chief ministers also act as the leader of the house in their legislative assemblies. Given they have the assembly's confidence, the chief minister's term is usually for a maximum of five years; there are no limits to the number of terms they can serve.

    Mamata Banerjee the Chief Minister of West Bengal, who has the longest continuous incumbency serving since 20 March 2011 (for 13 years, 310 days) and Rekha Gupta of Delhi are the only two incumbent female Chief Ministers. (Full article...)
  • Image 7 Dixit in 2019 Indian actress Madhuri Dixit made her acting debut in 1984 with Abodh where she portrayed a young bride. Dixit went on to appear in several films over the next three years, including the dramas Awara Baap (1985) and Swati (1986), though none of them garnered her much recognition. The role of Mohini in N. Chandra's action romance drama Tezaab (1988) proved to be a breakthrough for Dixit. The film went on to become the highest-grossing film of that year. For her performance, Dixit received a Best Actress nomination at Filmfare. She achieved further success by featuring as the female lead in several top-grossing action-dramas, including Ram Lakhan (1989), Tridev (1989), and Kishen Kanhaiya (1990). The role of a wealthy brat in the 1990 romantic drama Dil earned Dixit her first Filmfare Award for Best Actress. The following year, she starred in another box-office hit Saajan, and won a second Best Actress award at Filmfare for portraying the role of a strong woman who rebels against her manipulative mother-in-law in the 1992 drama Beta. She featured alongside Jackie Shroff and Sanjay Dutt in the action thriller Khalnayak (1993), one of the highest-grossing films of that year. Subsequently, she played an avenger in the drama Anjaam (1994) to positive reviews. Dixit's subsequent release was Sooraj Barjatya's Hum Aapke Hain Koun..! (1994), a family drama which emerged as the highest-grossing Bollywood film to that point. The following year, she featured in Raja (1995) which was a blockbuster film of that year and Yaraana in which she played a woman who attempts an escape from her abusive husband. Both of her releases in 1996—Rajkumar and Prem Granth—were financial failures. Dixit's portrayal of a headstrong dancer in Yash Chopra's 1997 romance Dil To Pagal Hai was a major success, earning her a fourth Filmfare Award for Best Actress. She garnered critical acclaim for her work in the dramas Mrityudand (1997), Wajood (1998) and Pukar (2000). She portrayed five roles in the experimental film Gaja Gamini (2000). (Full article...)
    Madhuri Dixit is smiling at the camera.
    Dixit in 2019

    Indian actress Madhuri Dixit made her acting debut in 1984 with Abodh where she portrayed a young bride. Dixit went on to appear in several films over the next three years, including the dramas Awara Baap (1985) and Swati (1986), though none of them garnered her much recognition. The role of Mohini in N. Chandra's action romance drama Tezaab (1988) proved to be a breakthrough for Dixit. The film went on to become the highest-grossing film of that year. For her performance, Dixit received a Best Actress nomination at Filmfare. She achieved further success by featuring as the female lead in several top-grossing action-dramas, including Ram Lakhan (1989), Tridev (1989), and Kishen Kanhaiya (1990). The role of a wealthy brat in the 1990 romantic drama Dil earned Dixit her first Filmfare Award for Best Actress. The following year, she starred in another box-office hit Saajan, and won a second Best Actress award at Filmfare for portraying the role of a strong woman who rebels against her manipulative mother-in-law in the 1992 drama Beta.

    She featured alongside Jackie Shroff and Sanjay Dutt in the action thriller Khalnayak (1993), one of the highest-grossing films of that year. Subsequently, she played an avenger in the drama Anjaam (1994) to positive reviews. Dixit's subsequent release was Sooraj Barjatya's Hum Aapke Hain Koun..! (1994), a family drama which emerged as the highest-grossing Bollywood film to that point. The following year, she featured in Raja (1995) which was a blockbuster film of that year and Yaraana in which she played a woman who attempts an escape from her abusive husband. Both of her releases in 1996—Rajkumar and Prem Granth—were financial failures. Dixit's portrayal of a headstrong dancer in Yash Chopra's 1997 romance Dil To Pagal Hai was a major success, earning her a fourth Filmfare Award for Best Actress. She garnered critical acclaim for her work in the dramas Mrityudand (1997), Wajood (1998) and Pukar (2000). She portrayed five roles in the experimental film Gaja Gamini (2000). (Full article...)
  • Image 8 The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of recipient, whose award have been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register; none of the conferments of Padma Bhushan during 1970–1979 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16-inch (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)

    The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of recipient, whose award have been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register; none of the conferments of Padma Bhushan during 1970–1979 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals.

    When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16-inch (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)
  • Image 9 The Mizoram Legislative Assembly is the unicameral legislature of Mizoram state in Northeast India. The seat of the legislative assembly is at Aizawl, the capital of the state. The assembly comprises 40 members directly elected from single-seat constituencies. It sits for a term of five years, unless it is dissolved early. Early dissolution of state assemblies happens when the governing party (or alliance) loses confidence of the assembly. This leads to either the President's Rule being imposed on the state, or early elections being called. Mizoram is the fourth-smallest state in India, covering 21,081 km2 (8,139 sq mi); and the second-least populous state with a population of 1.10 million. The Mizoram Legislative Assembly has existed since 1972, when it had 30 constituencies. Since the independence of India, the Scheduled Castes (SC) and Scheduled Tribes (ST) have been given reservation status, guaranteeing political representation, and the Constitution lays down the general principles of positive discrimination for STs and SCs. The 2011 census of India stated that the indigenous population constitutes 95% of the state's total population. The Scheduled Tribes have been granted a reservation of 39 seats in the Mizoram assembly, leaving only one (Aizawl East-I) unreserved. (Full article...)

    The Mizoram Legislative Assembly is the unicameral legislature of Mizoram state in Northeast India. The seat of the legislative assembly is at Aizawl, the capital of the state. The assembly comprises 40 members directly elected from single-seat constituencies. It sits for a term of five years, unless it is dissolved early. Early dissolution of state assemblies happens when the governing party (or alliance) loses confidence of the assembly. This leads to either the President's Rule being imposed on the state, or early elections being called. Mizoram is the fourth-smallest state in India, covering 21,081 km2 (8,139 sq mi); and the second-least populous state with a population of 1.10 million. The Mizoram Legislative Assembly has existed since 1972, when it had 30 constituencies.

    Since the independence of India, the Scheduled Castes (SC) and Scheduled Tribes (ST) have been given reservation status, guaranteeing political representation, and the Constitution lays down the general principles of positive discrimination for STs and SCs. The 2011 census of India stated that the indigenous population constitutes 95% of the state's total population. The Scheduled Tribes have been granted a reservation of 39 seats in the Mizoram assembly, leaving only one (Aizawl East-I) unreserved. (Full article...)
  • Image 10 Members of the Indian cricket team before a Women's World Twenty20 game in Sydney, 2009. A women's Twenty20 International (WT20I) is a 20 overs-per-side cricket match played in a maximum of 150 minutes between two ICC member sides, and is played under the rules of Twenty20 cricket. The first such match was held in August 2004 between England and New Zealand. The India women's national cricket team played its first WT20I against England in August 2006; India won the match by eight wickets. Since the team made its first WT20I appearance in 2006, 73 players—including five different captains—have represented India in the format. The list is arranged in the order in which each player won her first Twenty20 cap. Where more than one player won her first Twenty20 cap in the same match, those players are listed alphabetically by surname. (Full article...)
    Eight female cricketers stand on a field. Two players are in red practice jerseys; three other players in red jerseys are facing toward them; a player in a blue shirt is facing away and hides another player in a blue game shirt. In the upper left corner is a fan with an Indian flag.
    Members of the Indian cricket team before a Women's World Twenty20 game in Sydney, 2009.


    A women's Twenty20 International (WT20I) is a 20 overs-per-side cricket match played in a maximum of 150 minutes between two ICC member sides, and is played under the rules of Twenty20 cricket. The first such match was held in August 2004 between England and New Zealand. The India women's national cricket team played its first WT20I against England in August 2006; India won the match by eight wickets.

    Since the team made its first WT20I appearance in 2006, 73 players—including five different captains—have represented India in the format. The list is arranged in the order in which each player won her first Twenty20 cap. Where more than one player won her first Twenty20 cap in the same match, those players are listed alphabetically by surname. (Full article...)
  • Image 11 Trisha Krishnan in 2022 Trisha Krishnan[a] is an Indian actress known for her work primarily in Tamil and Telugu films. She has also acted in Malayalam, Hindi, and Kannada films. She was first seen in 1999 in a minor supporting role in Jodi and later appeared in 2000 in the music video of Falguni Pathak's song 'Meri Chunar Udd Udd Jaye'. The first project she accepted as a lead actress was Priyadarshan's Lesa Lesa but a delay in the film's release meant that her first appearance in a lead role was in Ameer's directorial debut Mounam Pesiyadhe in 2002, which was a commercial success. The following year, Trisha portrayed a woman battling a terminal illness in Manasellam (2003). Her next release was Hari's action film, Saamy (2003) in which she played a soft-spoken Brahmin girl and attracted praise for her performance and the film became a major commercial and critical success, resulting in Trisha receiving new offers, including those from several high-budget productions. Lesa Lesa, which was to have been her debut as a lead actress, was released next, earned her the ITFA Best New Actress Award. She starred in Alai (2003) and the Tamil-Telugu bilingual film Enakku 20 Unakku 18 (2003) (Nee Manasu Naaku Telusu) were commercially unsuccessful. Trisha's next Telugu release, Varsham (2004), was a major commercial and critical success, earning her the first Filmfare Award for Best Actress-Telugu and more Telugu film offers. Trisha starred in Ghilli (2004) as a damsel in distress, and the film became a major critical and commercial success. She starred in Mani Ratnam's political drama Aayutha Ezhuthu (2004). She starred in Thirupaachi (2005), which became a major commercial success. Trisha played a village girl in the romantic comedy Nuvvostanante Nenoddantana (2005), a commercial and critical success that earned her a second Filmfare Award for Best Actress and a Nandi Award for Best Actress. Athadu (2005), Aaru (2005), Stalin (2006), were major commercial successes. She reprised the role in the Tamil remake Unakkum Enakkum (2006) which was also successful. Aadavari Matalaku Arthale Verule (2007) was a critical and commercial success, earning Trisha her third Filmfare Award for Best Actress and the same year Kireedam (2007) was a commercial success. Krishna (2008) and King (2008) became blockbusters, while Bheema (2008) was commercially unsuccessful and Kuruvi (2008) and Bujjigadu (2008) emerged as hits. In Abhiyum Naanum (2008), Trisha's performance was widely praised ' and earned her Tamil Nadu State Film Award and a Filmfare nomination for Best Actress. Her 2009 films Sarvam and Sankham did not do well and became average grossers. The following year, Vinnaithaandi Varuvaayaa (2010) was a major success and a career breakthrough for Trisha, earning her a Filmfare nomination for Best Actress. She made her debut in Hindi cinema with the film Khatta Meetha (2010) Upon release, the film received mixed reviews from critics and box office India declared it an average performer at the box office. However, it earned her nomination for a Filmfare Award for Best Female Debut. Her sole Telugu release that year was Namo Venkatesa. Both her 2011 releases –Teen Maar and Mankatha were successful. She had two releases in 2012, Bodyguard and Dammu were successful. Her two Tamil films in 2013 the mystery thriller Samar, and Endrendrum Punnagai (2013), which earned her a Filmfare nomination for Best Actress. Her sole release in 2014 was Power, which marked her debut in Kannada cinema was a commercial success. (Full article...)
    Trisha Krishnan in 2022

    Trisha Krishnan[a] is an Indian actress known for her work primarily in Tamil and Telugu films. She has also acted in Malayalam, Hindi, and Kannada films. She was first seen in 1999 in a minor supporting role in Jodi and later appeared in 2000 in the music video of Falguni Pathak's song 'Meri Chunar Udd Udd Jaye'.

    The first project she accepted as a lead actress was Priyadarshan's Lesa Lesa but a delay in the film's release meant that her first appearance in a lead role was in Ameer's directorial debut Mounam Pesiyadhe in 2002, which was a commercial success. The following year, Trisha portrayed a woman battling a terminal illness in Manasellam (2003). Her next release was Hari's action film, Saamy (2003) in which she played a soft-spoken Brahmin girl and attracted praise for her performance and the film became a major commercial and critical success, resulting in Trisha receiving new offers, including those from several high-budget productions. Lesa Lesa, which was to have been her debut as a lead actress, was released next, earned her the ITFA Best New Actress Award. She starred in Alai (2003) and the Tamil-Telugu bilingual film Enakku 20 Unakku 18 (2003) (Nee Manasu Naaku Telusu) were commercially unsuccessful. Trisha's next Telugu release, Varsham (2004), was a major commercial and critical success, earning her the first Filmfare Award for Best Actress-Telugu and more Telugu film offers. Trisha starred in Ghilli (2004) as a damsel in distress, and the film became a major critical and commercial success. She starred in Mani Ratnam's political drama Aayutha Ezhuthu (2004). She starred in Thirupaachi (2005), which became a major commercial success. Trisha played a village girl in the romantic comedy Nuvvostanante Nenoddantana (2005), a commercial and critical success that earned her a second Filmfare Award for Best Actress and a Nandi Award for Best Actress. Athadu (2005), Aaru (2005), Stalin (2006), were major commercial successes. She reprised the role in the Tamil remake Unakkum Enakkum (2006) which was also successful. Aadavari Matalaku Arthale Verule (2007) was a critical and commercial success, earning Trisha her third Filmfare Award for Best Actress and the same year Kireedam (2007) was a commercial success. Krishna (2008) and King (2008) became blockbusters, while Bheema (2008) was commercially unsuccessful and Kuruvi (2008) and Bujjigadu (2008) emerged as hits. In Abhiyum Naanum (2008), Trisha's performance was widely praised ' and earned her Tamil Nadu State Film Award and a Filmfare nomination for Best Actress. Her 2009 films Sarvam and Sankham did not do well and became average grossers. The following year, Vinnaithaandi Varuvaayaa (2010) was a major success and a career breakthrough for Trisha, earning her a Filmfare nomination for Best Actress. She made her debut in Hindi cinema with the film Khatta Meetha (2010) Upon release, the film received mixed reviews from critics and box office India declared it an average performer at the box office. However, it earned her nomination for a Filmfare Award for Best Female Debut. Her sole Telugu release that year was Namo Venkatesa. Both her 2011 releases –Teen Maar and Mankatha were successful. She had two releases in 2012, Bodyguard and Dammu were successful. Her two Tamil films in 2013 the mystery thriller Samar, and Endrendrum Punnagai (2013), which earned her a Filmfare nomination for Best Actress. Her sole release in 2014 was Power, which marked her debut in Kannada cinema was a commercial success. (Full article...)
  • Image 12 Shetty at the trailer launch of Baahubali: The Beginning (2015) Anushka Shetty is an Indian actress who appears in Telugu and Tamil films. She is often considered one of the greatest, most influential actress in the history of Telugu Cinema. With a cinematic career spanning over two decades, she has played pivotal roles in over 50 films. She is often hailed as the "Lady Superstar" of Tollywood. She made her acting debut in Puri Jagannadh's 2005 Telugu film Super, and appeared in Mahanandi, released later the same year. The following year, she had four releases, the first being S. S. Rajamouli's Vikramarkudu, which helped her gain recognition, followed by Astram (a remake of the 1999 Hindi film Sarfarosh), the Sundar C-directed Rendu, (which marked her debut in Tamil cinema), and a special appearance in AR Murugadoss' Telugu film Stalin. She had two releases in 2007: Lakshyam and Don. In 2008, she appeared in six films, including Okka Magaadu, Swagatam and Souryam. In 2009, Shetty played two roles in the fantasy Arundhati. She went on to win the Nandi Special Jury Award and the Filmfare Best Telugu Actress Award for this film. Her next release that year was Billa, a Telugu remake of the 2007 Tamil film of the same name. Her final release in 2009 was her second Tamil feature film, the masala film Vettaikaaran, where she appeared as a medical student. Shetty had a string of releases in 2010. She portrayed a prostitute in Krish's Vedam, which won her the Filmfare Award for Best Telugu Actress. Despite critical acclaim, the film failed at the box office. None of her other releases in 2010 succeeded commercially, except for her sole Tamil release of the year, the masala Singam. The following year, Anushka had two releases, both in Tamil. She reprised her Vedam role in its remake Vaanam, then appeared as an advocate in the A. L. Vijay-directed Deiva Thirumagal, a loose adaptation of the American film I Am Sam (2001). The following year, she also had two releases: Thaandavam in Tamil, and Damarukam in Telugu. Her first release in 2013 was Suraj's Tamil masala Alex Pandian, a critical and commercial failure. This was followed by Mirchi in Telugu, Singam II (where she reprised her role from Singam), and Selvaraghavan's Tamil romantic fantasy Irandaam Ulagam where she played three distinct roles. Her sole release of 2014 was K. S. Ravikumar's Lingaa. (Full article...)
    Shetty at the trailer launch of Baahubali: The Beginning (2015)

    Anushka Shetty is an Indian actress who appears in Telugu and Tamil films. She is often considered one of the greatest, most influential actress in the history of Telugu Cinema. With a cinematic career spanning over two decades, she has played pivotal roles in over 50 films. She is often hailed as the "Lady Superstar" of Tollywood. She made her acting debut in Puri Jagannadh's 2005 Telugu film Super, and appeared in Mahanandi, released later the same year. The following year, she had four releases, the first being S. S. Rajamouli's Vikramarkudu, which helped her gain recognition, followed by Astram (a remake of the 1999 Hindi film Sarfarosh), the Sundar C-directed Rendu, (which marked her debut in Tamil cinema), and a special appearance in AR Murugadoss' Telugu film Stalin. She had two releases in 2007: Lakshyam and Don. In 2008, she appeared in six films, including Okka Magaadu, Swagatam and Souryam. In 2009, Shetty played two roles in the fantasy Arundhati. She went on to win the Nandi Special Jury Award and the Filmfare Best Telugu Actress Award for this film. Her next release that year was Billa, a Telugu remake of the 2007 Tamil film of the same name. Her final release in 2009 was her second Tamil feature film, the masala film Vettaikaaran, where she appeared as a medical student.
    Shetty had a string of releases in 2010. She portrayed a prostitute in Krish's Vedam, which won her the Filmfare Award for Best Telugu Actress. Despite critical acclaim, the film failed at the box office. None of her other releases in 2010 succeeded commercially, except for her sole Tamil release of the year, the masala Singam. The following year, Anushka had two releases, both in Tamil. She reprised her Vedam role in its remake Vaanam, then appeared as an advocate in the A. L. Vijay-directed Deiva Thirumagal, a loose adaptation of the American film I Am Sam (2001). The following year, she also had two releases: Thaandavam in Tamil, and Damarukam in Telugu. Her first release in 2013 was Suraj's Tamil masala Alex Pandian, a critical and commercial failure. This was followed by Mirchi in Telugu, Singam II (where she reprised her role from Singam), and Selvaraghavan's Tamil romantic fantasy Irandaam Ulagam where she played three distinct roles. Her sole release of 2014 was K. S. Ravikumar's Lingaa. (Full article...)
  • Image 13 The state president of the Indian National Congress is the state-level highest command of the Indian National Congress (INC), responsible for leading in political campaigns at state level. State presidents shoulder a diverse array of roles and responsibilities integral to the effective functioning of the party at the state-level. Also known as the leader of the state and union territory party, a state president is chosen by the party president. Being the higher decision-making body, state presidents actively contribute to the formulation of state-level policies, representing the party's stance on relevant issues and engaging in the development and implementation of election strategies during state elections. In addition, a state president is tasked with overseeing the organizational structure of the Pradesh Congress Committee, including the appointment and coordination of leaders at various levels, such as the district committee, block committee, and each panchayat development block or panchayat samiti. Serving as a spokesperson for the party in the state, they communicate the party's positions to the media and keep party members informed about policies and decisions. State presidents also play a pivotal role in building and maintaining the party's membership, reaching out to diverse sections of society and addressing their concerns to advance the party's agenda. (Full article...)
    The state president of the Indian National Congress is the state-level highest command of the Indian National Congress (INC), responsible for leading in political campaigns at state level. State presidents shoulder a diverse array of roles and responsibilities integral to the effective functioning of the party at the state-level. Also known as the leader of the state and union territory party, a state president is chosen by the party president.

    Being the higher decision-making body, state presidents actively contribute to the formulation of state-level policies, representing the party's stance on relevant issues and engaging in the development and implementation of election strategies during state elections. In addition, a state president is tasked with overseeing the organizational structure of the Pradesh Congress Committee, including the appointment and coordination of leaders at various levels, such as the district committee, block committee, and each panchayat development block or panchayat samiti. Serving as a spokesperson for the party in the state, they communicate the party's positions to the media and keep party members informed about policies and decisions. State presidents also play a pivotal role in building and maintaining the party's membership, reaching out to diverse sections of society and addressing their concerns to advance the party's agenda. (Full article...)
  • Image 14 James Faulkner is one of the only four bowlers to take multiple five-wicket hauls and the only to take multiple five-wicket hauls in the same season. In cricket, a five-wicket haul (also known as a "five-for" or "fifer") refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement, especially in T20 cricket where a bowler can bowl a maximum of only 24 balls (4 overs). The Indian Premier League (IPL) is a professional Twenty20 cricket league in India, which has been held annually since its first season in 2008. So far, 34 five-wicket hauls have been taken by different bowlers, of which only two five-wicket hauls have been taken outside India. Players from twelve of the thirteen teams have taken five-wicket hauls; Kochi Tuskers Kerala is the only franchise for which a player has not taken a five-wicket haul. The first five-wicket haul was taken by Sohail Tanvir of the Rajasthan Royals against the Chennai Super Kings on 4 May 2008. He finished the game with 6 wickets. The most economical five-wicket haul was taken by Akash Madhwal of the Mumbai Indians, who claimed five wickets with an economy rate of 1.43 in the 2023 season. Yuzvendra Chahal of the Rajasthan Royals took the least economical five-wicket haul, 5/40 bowling with an economy rate of 10.00 in 2021. Anil Kumble is the oldest bowler to take a five-wicket haul, achieving the feat at the age of 38, while Jaydev Unadkat is the youngest, he was 21 when he took his first five-for in 2013. (Full article...)
    James Faulkner is one of the only four bowlers to take multiple five-wicket hauls and the only to take multiple five-wicket hauls in the same season.

    In cricket, a five-wicket haul (also known as a "five-for" or "fifer") refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement, especially in T20 cricket where a bowler can bowl a maximum of only 24 balls (4 overs). The Indian Premier League (IPL) is a professional Twenty20 cricket league in India, which has been held annually since its first season in 2008. So far, 34 five-wicket hauls have been taken by different bowlers, of which only two five-wicket hauls have been taken outside India. Players from twelve of the thirteen teams have taken five-wicket hauls; Kochi Tuskers Kerala is the only franchise for which a player has not taken a five-wicket haul.
    The first five-wicket haul was taken by Sohail Tanvir of the Rajasthan Royals against the Chennai Super Kings on 4 May 2008. He finished the game with 6 wickets. The most economical five-wicket haul was taken by Akash Madhwal of the Mumbai Indians, who claimed five wickets with an economy rate of 1.43 in the 2023 season. Yuzvendra Chahal of the Rajasthan Royals took the least economical five-wicket haul, 5/40 bowling with an economy rate of 10.00 in 2021. Anil Kumble is the oldest bowler to take a five-wicket haul, achieving the feat at the age of 38, while Jaydev Unadkat is the youngest, he was 21 when he took his first five-for in 2013. (Full article...)
  • Image 15 Since Brabourne hosted its first international match in 1948, 35 Test centuries and 2 ODI centuries have been scored at the ground. Brabourne Stadium is a cricket ground in Mumbai, India. It is the home of the Cricket Club of India and has played host to Ranji Trophy matches (including seventeen finals) and Indian Premier League matches, as well as being a Test, One Day International and Twenty20 International (T20) venue. It has a capacity of 20,000 spectators. The ground has hosted eighteen Test matches, the first in 1948 when India played the West Indies. It has also staged nine One Day International matches, the first of which was in 1989 when Australia lost to Pakistan by 66 runs. One T20 International has been played at the ground when India beat Australia by 7 wickets in 2007 (first T20 International to be played in India). Of the nine One Day Internationals played at the stadium, five matches (including the final) were staged during the ICC Champions Trophy in 2006. The first Test century (100 or more runs in a single innings) scored at the ground was in 1948 by the West Indian Allan Rae in the first innings of the first Test match played at Brabourne Stadium. The first Indian to score a century at the Brabourne was Rusi Modi in the third innings of the same match. In total, 35 Test centuries have been scored at the ground in 18 Test matches. Virender Sehwag's 293, scored against Sri Lanka in 2009, is the highest Test innings achieved at the ground. The highest Test score by an overseas player is 194 by the West Indian Everton Weekes in 1948. Vijay Hazare has scored the most Test centuries at the ground with four. (Full article...)
    Since Brabourne hosted its first international match in 1948, 35 Test centuries and 2 ODI centuries have been scored at the ground.


    Brabourne Stadium is a cricket ground in Mumbai, India. It is the home of the Cricket Club of India and has played host to Ranji Trophy matches (including seventeen finals) and Indian Premier League matches, as well as being a Test, One Day International and Twenty20 International (T20) venue. It has a capacity of 20,000 spectators. The ground has hosted eighteen Test matches, the first in 1948 when India played the West Indies. It has also staged nine One Day International matches, the first of which was in 1989 when Australia lost to Pakistan by 66 runs. One T20 International has been played at the ground when India beat Australia by 7 wickets in 2007 (first T20 International to be played in India). Of the nine One Day Internationals played at the stadium, five matches (including the final) were staged during the ICC Champions Trophy in 2006.

    The first Test century (100 or more runs in a single innings) scored at the ground was in 1948 by the West Indian Allan Rae in the first innings of the first Test match played at Brabourne Stadium. The first Indian to score a century at the Brabourne was Rusi Modi in the third innings of the same match. In total, 35 Test centuries have been scored at the ground in 18 Test matches. Virender Sehwag's 293, scored against Sri Lanka in 2009, is the highest Test innings achieved at the ground. The highest Test score by an overseas player is 194 by the West Indian Everton Weekes in 1948. Vijay Hazare has scored the most Test centuries at the ground with four. (Full article...)
  • Image 16 Paradesi (transl. Vagabond) is a 2013 Indian Tamil-language period drama film written, produced and directed by Bala. The film features Atharvaa and Vedhika in the lead roles, with Sai Dhanshika, Uday Karthik, Riythvika and Jerry in supporting roles. The soundtrack and score were composed by G. V. Prakash Kumar. The cinematography was handled by Chezhiyan, while Kishore Te and L. V. K. Das were in charge of the editing. Based on Paul Harris Daniel's 1969 novel Red Tea, the film's story revolves around Raasa (Atharvaa), an unemployed villager who is misled into bonded labour at a tea plantation after being promised generous accommodation and wages by its supervisor (Jerry). Paradesi was made on a budget of ₹400 million and was released on 15 March 2013 to critical acclaim, but failed at the box office. The film won 37 awards from 59 nominations; its direction, performances of the cast members, music, cinematography, and costumes have received the most attention from award groups. (Full article...)
    Paradesi (transl. Vagabond) is a 2013 Indian Tamil-language period drama film written, produced and directed by Bala. The film features Atharvaa and Vedhika in the lead roles, with Sai Dhanshika, Uday Karthik, Riythvika and Jerry in supporting roles. The soundtrack and score were composed by G. V. Prakash Kumar. The cinematography was handled by Chezhiyan, while Kishore Te and L. V. K. Das were in charge of the editing. Based on Paul Harris Daniel's 1969 novel Red Tea, the film's story revolves around Raasa (Atharvaa), an unemployed villager who is misled into bonded labour at a tea plantation after being promised generous accommodation and wages by its supervisor (Jerry).

    Paradesi was made on a budget of ₹400 million and was released on 15 March 2013 to critical acclaim, but failed at the box office. The film won 37 awards from 59 nominations; its direction, performances of the cast members, music, cinematography, and costumes have received the most attention from award groups. (Full article...)
  • Image 17 Chandrasekhar's six wickets for 38 runs at the Kennington Oval was influential in setting up India's first ever series victory in England. B. S. Chandrasekhar is a former international cricketer who represented the Indian cricket team between 1964 and 1979. In cricket, a five-wicket haul refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement, and as of October 2024[update], only 54 bowlers have taken 15 or more five-wicket hauls at international level in their cricketing careers. Chandrasekhar played as a leg spin bowler who formed a part of the Indian spin quartet. Described by West Indies cricketer Viv Richards as the "most difficult" bowler, Chandrasekhar took 16 five-wicket hauls during his international career. He developed an interest in the game when he was a child, watching the playing styles of Australian leg spinner Richie Benaud. Chandrasekhar was affected by polio at the age of five which weakened his right arm. He started as a left-arm bowler but gradually shifted to his withered right arm as it could offer more spin. Chandrasekhar made his Test debut in 1964 against England at the Brabourne Stadium, claiming four wickets for 67 runs in the first innings. His first five-wicket haul came against West Indies two years later at the same venue. Chandrasekhar's bowling figures of six wickets for 38 runs in 1971 were instrumental in setting up India's first victory in England. It was noted as the Indian "Bowling Performance of the Century" by Wisden in 2002. His bowling performances in the previous English season led to him being named one of the five Wisden Cricketers of the Year in 1972. His career-best figures for an innings were eight wickets for 79 runs against England at the Feroz Shah Kotla Ground in December 1972. Chandrasekhar took a pair of five-wicket hauls for the only time in his career when he took 12 wickets for 104 runs against Australia at the Melbourne Cricket Ground; the performance was effective in ensuring India's first victory in Australia. In Tests, he was most successful against England taking eight fifers. (Full article...)
    Top view of the Kennington Oval during a match between Surrey and Yorkshire
    Chandrasekhar's six wickets for 38 runs at the Kennington Oval was influential in setting up India's first ever series victory in England.

    B. S. Chandrasekhar is a former international cricketer who represented the Indian cricket team between 1964 and 1979. In cricket, a five-wicket haul refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement, and as of October 2024, only 54 bowlers have taken 15 or more five-wicket hauls at international level in their cricketing careers. Chandrasekhar played as a leg spin bowler who formed a part of the Indian spin quartet. Described by West Indies cricketer Viv Richards as the "most difficult" bowler, Chandrasekhar took 16 five-wicket hauls during his international career. He developed an interest in the game when he was a child, watching the playing styles of Australian leg spinner Richie Benaud. Chandrasekhar was affected by polio at the age of five which weakened his right arm. He started as a left-arm bowler but gradually shifted to his withered right arm as it could offer more spin.

    Chandrasekhar made his Test debut in 1964 against England at the Brabourne Stadium, claiming four wickets for 67 runs in the first innings. His first five-wicket haul came against West Indies two years later at the same venue. Chandrasekhar's bowling figures of six wickets for 38 runs in 1971 were instrumental in setting up India's first victory in England. It was noted as the Indian "Bowling Performance of the Century" by Wisden in 2002. His bowling performances in the previous English season led to him being named one of the five Wisden Cricketers of the Year in 1972. His career-best figures for an innings were eight wickets for 79 runs against England at the Feroz Shah Kotla Ground in December 1972. Chandrasekhar took a pair of five-wicket hauls for the only time in his career when he took 12 wickets for 104 runs against Australia at the Melbourne Cricket Ground; the performance was effective in ensuring India's first victory in Australia. In Tests, he was most successful against England taking eight fifers. (Full article...)
  • Image 18 The chief minister of West Bengal (IAST: Paścim Baṅgēr Mukhya Mantrī) is the de facto head of the executive branch of the Government of West Bengal, the subnational authority of the Indian state of West Bengal. The chief minister is head of the Council of Ministers and appoints ministers. The chief minister, along with their cabinet, exercises executive authority in the state. The governor appoints the chief minister, whose council of ministers are collectively responsible to the assembly. On 17 August 1947, the British Indian province of Bengal was partitioned into the Pakistani province of East Bengal and the Indian state of West Bengal. Since then West Bengal has had seven chief ministers, starting with Prafulla Chandra Ghosh of the Indian National Congress (INC) party as the premier (elected to lead the assembly while the chief minister is not appointed). Dr. Bidhan Chandra Roy in 1950 became the first formal chief minister of West Bengal after the implementation of the Indian Constitution. A period of political instability followed thereafter—West Bengal witnessed three elections, four coalition governments and three stints of President's rule between 1967 and 1972—before Siddhartha Shankar Ray of the INC served a five-year term. (Full article...)

    The chief minister of West Bengal (IAST: Paścim Baṅgēr Mukhya Mantrī) is the de facto head of the executive branch of the Government of West Bengal, the subnational authority of the Indian state of West Bengal. The chief minister is head of the Council of Ministers and appoints ministers. The chief minister, along with their cabinet, exercises executive authority in the state. The governor appoints the chief minister, whose council of ministers are collectively responsible to the assembly.

    On 17 August 1947, the British Indian province of Bengal was partitioned into the Pakistani province of East Bengal and the Indian state of West Bengal. Since then West Bengal has had seven chief ministers, starting with Prafulla Chandra Ghosh of the Indian National Congress (INC) party as the premier (elected to lead the assembly while the chief minister is not appointed). Dr. Bidhan Chandra Roy in 1950 became the first formal chief minister of West Bengal after the implementation of the Indian Constitution. A period of political instability followed thereafter—West Bengal witnessed three elections, four coalition governments and three stints of President's rule between 1967 and 1972—before Siddhartha Shankar Ray of the INC served a five-year term. (Full article...)
  • Image 19 Test cricket is the longest form of cricket. The women's variant of the game includes four innings to be completed over four days of play with eleven players in each side. The first women's Test was played between England and Australia in 1934. However, India did not play Test cricket until 1973 when the Women's Cricket Association of India was formed. The Indian women's team played their first Test match in 1976, against the West Indies. The Women's Cricket Association of India was merged with the Board of Control for Cricket in India in 2006 as part of the International Cricket Council's initiative to develop women's cricket. India have played 41 Tests, starting with their first Test in 1976. They first won a Test in Patna (1976), in front of over 25,000 spectators, against the West Indies but did not win again until 2002, when they won against South Africa. The team has remained unbeaten since 2006, over the course of three Test matches. (Full article...)
    Test cricket is the longest form of cricket. The women's variant of the game includes four innings to be completed over four days of play with eleven players in each side. The first women's Test was played between England and Australia in 1934. However, India did not play Test cricket until 1973 when the Women's Cricket Association of India was formed. The Indian women's team played their first Test match in 1976, against the West Indies. The Women's Cricket Association of India was merged with the Board of Control for Cricket in India in 2006 as part of the International Cricket Council's initiative to develop women's cricket.

    India have played 41 Tests, starting with their first Test in 1976. They first won a Test in Patna (1976), in front of over 25,000 spectators, against the West Indies but did not win again until 2002, when they won against South Africa. The team has remained unbeaten since 2006, over the course of three Test matches. (Full article...)
  • Image 20 Enthiran (transl. Robot) is a 2010 Indian Tamil-language science fiction film directed by S. Shankar and produced by Kalanithi Maran. Shankar wrote the screenplay and co-wrote the dialogues with Sujatha and Madhan Karky. The film stars Rajinikanth and Aishwarya Rai with Danny Denzongpa, Santhanam, and Karunas playing supporting roles. The musical score was composed by A. R. Rahman while the cinematography, visual effects, editing, and art direction were handled by R. Rathnavelu, V. Srinivas Mohan, Anthony, and Sabu Cyril respectively. The film's story revolves around a scientist's struggle to control his creation, an android robot whose software is upgraded to give it the ability to comprehend and generate human emotions. The plan backfires when the robot falls in love with the scientist's fiancée and is further manipulated by a rival scientist to bring destruction to all who stand in its way. The film was dubbed into Hindi as Robot. Produced on an estimated budget of ₹1.32 billion, Enthiran was released on 1 October 2010 and yielded a revenue of ₹1.79 billion according to a report by the Sun TV Network. The film garnered awards and nominations in several categories, with particular praise for its cinematography, visual effects, art direction, costume design, and Rajinikanth's performance. The film has won 25 awards from 38 nominations. (Full article...)
    Enthiran (transl. Robot) is a 2010 Indian Tamil-language science fiction film directed by S. Shankar and produced by Kalanithi Maran. Shankar wrote the screenplay and co-wrote the dialogues with Sujatha and Madhan Karky. The film stars Rajinikanth and Aishwarya Rai with Danny Denzongpa, Santhanam, and Karunas playing supporting roles. The musical score was composed by A. R. Rahman while the cinematography, visual effects, editing, and art direction were handled by R. Rathnavelu, V. Srinivas Mohan, Anthony, and Sabu Cyril respectively. The film's story revolves around a scientist's struggle to control his creation, an android robot whose software is upgraded to give it the ability to comprehend and generate human emotions. The plan backfires when the robot falls in love with the scientist's fiancée and is further manipulated by a rival scientist to bring destruction to all who stand in its way. The film was dubbed into Hindi as Robot.

    Produced on an estimated budget of ₹1.32 billion, Enthiran was released on 1 October 2010 and yielded a revenue of ₹1.79 billion according to a report by the Sun TV Network. The film garnered awards and nominations in several categories, with particular praise for its cinematography, visual effects, art direction, costume design, and Rajinikanth's performance. The film has won 25 awards from 38 nominations. (Full article...)
  • Image 21 The Telangana Legislative Assembly is the lower house of the bicameral state legislature of Telangana state in India. It is housed in the Assembly Building, in Hyderabad, the capital of the state. The term of the assembly is five years, unless it is dissolved early. Telangana was formed on 2 June 2014, after the passage of the Andhra Pradesh Reorganisation Act. It comprised 10 districts of Andhra Pradesh. The unified Legislative Assembly was also apportioned and 119 constituencies were assigned to the Legislative Assembly of the new state. The representatives of those constituencies, elected in the 2014 Andhra Pradesh Legislative Assembly election, became the members of the new assembly. Telangana has continued to have the same number of constituencies in the subsequent elections of 2018 and 2023. (Full article...)

    The Telangana Legislative Assembly is the lower house of the bicameral state legislature of Telangana state in India. It is housed in the Assembly Building, in Hyderabad, the capital of the state. The term of the assembly is five years, unless it is dissolved early.

    Telangana was formed on 2 June 2014, after the passage of the Andhra Pradesh Reorganisation Act. It comprised 10 districts of Andhra Pradesh. The unified Legislative Assembly was also apportioned and 119 constituencies were assigned to the Legislative Assembly of the new state. The representatives of those constituencies, elected in the 2014 Andhra Pradesh Legislative Assembly election, became the members of the new assembly. Telangana has continued to have the same number of constituencies in the subsequent elections of 2018 and 2023. (Full article...)
  • Image 22 The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of a recipient, whose award has been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register. As of 2019[update], none of the conferments of Padma Bhushan during the 2010s have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16 inches (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)

    The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of a recipient, whose award has been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register. As of 2019, none of the conferments of Padma Bhushan during the 2010s have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals.

    When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16 inches (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)
  • Image 23 The president of India is the head of state of the Republic of India and the Supreme Commander of the Indian Armed Forces. The president is referred to as the first citizen of India. Although vested with these powers by the Constitution of India, the position is largely a ceremonial one and executive powers are de facto exercised by the prime minister. The president is elected by the Electoral College composed of elected members of the parliament houses, the Lok Sabha and the Rajya Sabha, and also members of the Saasana Sabha or Vidhan Sabha, the state legislative assemblies. Presidents may remain in office for a tenure of five years, as stated by article 56, part V, of the Constitution of India. In the case where a president's term of office is terminated early or during the absence of the president, the vice president assumes office. By article 70 of part V, the parliament may decide how to discharge the functions of the president where this is not possible, or in any other unexpected contingency. (Full article...)

    The president of India is the head of state of the Republic of India and the Supreme Commander of the Indian Armed Forces. The president is referred to as the first citizen of India. Although vested with these powers by the Constitution of India, the position is largely a ceremonial one and executive powers are de facto exercised by the prime minister.

    The president is elected by the Electoral College composed of elected members of the parliament houses, the Lok Sabha and the Rajya Sabha, and also members of the Saasana Sabha or Vidhan Sabha, the state legislative assemblies. Presidents may remain in office for a tenure of five years, as stated by article 56, part V, of the Constitution of India. In the case where a president's term of office is terminated early or during the absence of the president, the vice president assumes office. By article 70 of part V, the parliament may decide how to discharge the functions of the president where this is not possible, or in any other unexpected contingency. (Full article...)
  • Image 24 Shriya Saran at 62nd South Filmfare awards. Shriya Saran is an Indian actress and model who has appeared mostly in Telugu, Tamil and Hindi language films. She made her acting debut with the Telugu film Ishtam (2001) and had her first commercial success with Santosham (2002). The following year, she made her Hindi cinema debut with a supporting role in Tujhe Meri Kasam, alongside Riteish Deshmukh and Genelia D'Souza, which is a remake of Malayalam film Niram. It was followed by the commercially successful crime drama Tagore (2003), in which she was paired opposite Chiranjeevi, which is a remake of Tamil film Ramanaa. The same year, she played a supporting role in the Tamil-Telugu bilingual film Enakku 20 Unakku 18, which marked her debut in Tamil cinema. In 2005, she had ten releases including Mazhai, S. S. Rajamouli's Chatrapathi, and Mogudu Pellam O Dongodu, in which she was among the only three characters of the film. Saran's solitary release as a lead actress in 2006 was the Tamil film Thiruvilaiyaadal Aarambam. In 2007, Saran was paired opposite Rajinikanth in S. Shankar's Sivaji. It was the most expensive film in Indian cinema and went on to become the highest grossing Tamil film to that point. The same year, she made a comeback to Hindi cinema with Mohit Suri's Awarapan, where she played a Muslim woman. Following that, she made her American cinema debut with James Dodson's The Other End of the Line (2008), in which she played an Indian woman who works in a call centre. Her subsequent releases include the Tamil films Kanthaswamy (2009) and Kutty (2010), and Pokkiri Raja (2010), which marked her debut in Malayalam cinema. (Full article...)
    Shriya Saran is seen smiling at the camera.
    Shriya Saran at 62nd South Filmfare awards.

    Shriya Saran is an Indian actress and model who has appeared mostly in Telugu, Tamil and Hindi language films. She made her acting debut with the Telugu film Ishtam (2001) and had her first commercial success with Santosham (2002). The following year, she made her Hindi cinema debut with a supporting role in Tujhe Meri Kasam, alongside Riteish Deshmukh and Genelia D'Souza, which is a remake of Malayalam film Niram. It was followed by the commercially successful crime drama Tagore (2003), in which she was paired opposite Chiranjeevi, which is a remake of Tamil film Ramanaa. The same year, she played a supporting role in the Tamil-Telugu bilingual film Enakku 20 Unakku 18, which marked her debut in Tamil cinema. In 2005, she had ten releases including Mazhai, S. S. Rajamouli's Chatrapathi, and Mogudu Pellam O Dongodu, in which she was among the only three characters of the film. Saran's solitary release as a lead actress in 2006 was the Tamil film Thiruvilaiyaadal Aarambam.

    In 2007, Saran was paired opposite Rajinikanth in S. Shankar's Sivaji. It was the most expensive film in Indian cinema and went on to become the highest grossing Tamil film to that point. The same year, she made a comeback to Hindi cinema with Mohit Suri's Awarapan, where she played a Muslim woman. Following that, she made her American cinema debut with James Dodson's The Other End of the Line (2008), in which she played an Indian woman who works in a call centre. Her subsequent releases include the Tamil films Kanthaswamy (2009) and Kutty (2010), and Pokkiri Raja (2010), which marked her debut in Malayalam cinema. (Full article...)
  • Image 25 Asin in 2012 Asin is a former Indian actress who is known for her work in Tamil, Telugu and Hindi language films. She made her acting debut at the age of 15 in the Malayalam-language satirical comedy-drama Narendran Makan Jayakanthan Vaka in 2001. Asin had her first commercial success with the Telugu film Amma Nanna O Tamila Ammayi (2003). For her performance as a Tamil girl in the film, she received the Filmfare Best Telugu Actress Award. In the same year she won the Santosham Best Actress Award for her role in Telugu film Sivamani. In her next two Telugu releases: Lakshmi Narasimha (2004) and Gharshana (2004), Asin played the love interest of a police officer. Lakshmi Narasimha was a commercial success, while Gharshana received mixed reviews from critics but later gained a cult following. She made her debut in Tamil cinema in the 2004 sports drama M. Kumaran Son of Mahalakshmi, a commercial success. The 2005 action thriller Ghajini marked a turning point in her career. Her role as a vivacious young model named Kalpana won her the Filmfare Best Tamil Actress Award. This led to a series of lead roles in commercially successful films, including the action film Sivakasi (2005), the thriller Varalaru (2006), the action thriller Pokkiri (2007), the action drama Vel (2008) and the science fiction film Dasavathaaram (2008), which established her as a leading actress of Tamil cinema. (Full article...)
    A photograph of Asin at a wedding
    Asin in 2012

    Asin is a former Indian actress who is known for her work in Tamil, Telugu and Hindi language films. She made her acting debut at the age of 15 in the Malayalam-language satirical comedy-drama Narendran Makan Jayakanthan Vaka in 2001. Asin had her first commercial success with the Telugu film Amma Nanna O Tamila Ammayi (2003). For her performance as a Tamil girl in the film, she received the Filmfare Best Telugu Actress Award. In the same year she won the Santosham Best Actress Award for her role in Telugu film Sivamani. In her next two Telugu releases: Lakshmi Narasimha (2004) and Gharshana (2004), Asin played the love interest of a police officer. Lakshmi Narasimha was a commercial success, while Gharshana received mixed reviews from critics but later gained a cult following.

    She made her debut in Tamil cinema in the 2004 sports drama M. Kumaran Son of Mahalakshmi, a commercial success. The 2005 action thriller Ghajini marked a turning point in her career. Her role as a vivacious young model named Kalpana won her the Filmfare Best Tamil Actress Award. This led to a series of lead roles in commercially successful films, including the action film Sivakasi (2005), the thriller Varalaru (2006), the action thriller Pokkiri (2007), the action drama Vel (2008) and the science fiction film Dasavathaaram (2008), which established her as a leading actress of Tamil cinema. (Full article...)
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  1. ^ In this Indian name, the name Krishnan is a patronymic, and the person should be referred to by the given name, Trisha.
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